13 Responses to “Orchestral Film Scoring Template with Bidule and DP”

1. Scott Glasgow says:

   March 31, 2009 at 9:26 pm

   You forgot to mention your system specs,, I assume 8-core Inter Mac Pro with at least 16GB ram? Please fill us in Michael.

   Nice template, I am amazed you can load all those samples at once! I am using 5 computers to do the same..
2. mpatti says:

   March 31, 2009 at 9:32 pm

   Yes, I should mention that: 8-Core 2.8 GHZ 8Gigs RAM
3. Tom says:

   April 13, 2009 at 9:44 am

   That seems very complicated, but once its set up its great. What about the video? Shouldn’t there be a video track? Since you are scoring for film.

   Thanks
4. West says:

   May 7, 2009 at 8:55 am

   What about your HDD setup?
5. mpatti says:

   May 7, 2009 at 8:57 am

   All the samples are on one 1TB SATA drive. Nothing fancy.
6. Keving says:

   May 14, 2009 at 7:32 pm

   Great video and thanks for taking the time to make it. Can you share why you are using Bidule instead of just loading everything directly in DP? Is memory used more efficiently that way? You are getting a huge amount of samples into 8 gig of RAM. Respect!

   -Kevin
7. Sergio cuquejo says:

   August 5, 2009 at 4:39 am

   Hi Mike, where i can buy the Orchestral Template, i need so much, is more simple to make a good orquestration if you have all in one list…
   Thank you for time…
8. Charles says:

   October 9, 2009 at 7:51 am

   Hi Mike:
   Just wondering…why bother with the Auxes?

   Why do you not set the input of those red ‘final bounce’ audio tracks to the applicable bus
   and put Altiverb instances on the insert slots–esentially replacing the Aux tracks with your audio tracks?

   They seem redundant in the workflow, and I’m wondering how the auxes help you.

   Thanks,
   Charles
9. mpatti says:

   October 9, 2009 at 8:41 am

   Hi Charles,

   If you just put Altiverb on the insert slots of the audio tracks it won’t print the verb.

   Mike
10. Charles says:

    October 10, 2009 at 4:15 am

    Thanks, Mike–did not realize the insert slots worked that way…

    I see you use VSL power panning.
    For the non-VSL instruments, how do you do the panning?

    I see that your Symphobia channels inside Kontakt are panned center and your aux tracks are panned center.

    So are you using the ‘speaker placement’ feature inside each Altiverb instance for panning the non-VSL tracks?

    Thanks,
    Charles
11. Hendi says:

    October 29, 2009 at 2:06 am

    Hi Mike,

    wow, very impressive Template.

    I´ve seen you are using VSL, EastWest, Symphobia, …
    But what is “BIG”?
    I´ve read it in your template under strings and brass. It is your own library?

    All the best,

    Hendrik
12. Laurent says:

    December 3, 2009 at 6:04 am

    Hello Mike,

    thank you so much for this tutorial really interesting. However, i wanted to ask why alot tracks of DP and in Kontakt there were instruments doubled ?
    (Str Ens Sustain Dyn (2X), Str Ens tremolo Dyn (2X), etc …)

    Thanks
    Laurent
13. Rodney says:

    January 20, 2010 at 12:46 pm

    How were the 8 processor cores handling it?

    Do they peak out at all on a busy score?